'Envelop began life by opening a space for exploring 3D sound. Now, the nonprofit, directed by artist Christopher Willits, has released a set of free spatial sound tools you can use in Live 10.'
Full article (May, 2018) - https://www.ableton.com/en/blog/free-tools-live-unlock-3d-spatial-audio-vr-ar/
'Looking at something like Envelop’s new tools for Ableton Live 10 [Envelop for Live], you see something like the equivalent of those first pan pots. Add some free devices to Live, and you can improvise with space, hear the results through headphones, and scale up to as many speakers as you want, or deliver to a growing, standardized set of virtual reality / 3D / game / immersive environments.
And that could open the floodgates for 3D mixing music. (Maybe even it could open your own floodgates there.)'
Full article (Apr, 2018) - cdm.link/2018/04/meet-the-free-tools-for-live-10-that-unlock-spatial-audio-vr-sound/
"Being in the audience for a spatial audio performance is really wild. Envelop at the Midway has 32 speakers around the room, and when you stand in the middle—or anywhere, really—you can feel sound filling the whole space... Walking around the room while the songs were playing, it didn’t really sound like music was coming from the speakers around me. The music was just... part of the room."
Full article (Oct, 2017) - www.wired.com/story/envelop-spatial-audio/
'When ambient composer Christopher Willits debuted his album Horizon this year, two sets of 50 people gathered at the new San Francisco venue Envelop at the Midway, sitting on the floor on pillows in the center of a network of 28 speakers, some on pillars rising out of the floor, others affixed to the ceiling. The sound moved around the audience in waves, coming now from in front, now from behind, now from above, now below, moving along a sphere of sensation that Willits called spherical, or spatial audio.'
Full article (Jul, 2017) - popmatters.com/christopher-willits-enveloped-in-spherical-sound
'The venue is named after Willits’s spatial audio platform Envelop and boasts “a 28.4 channel Ambisonic sound system that can position sound elements above, below, in front of, behind, and completely around an audience.” As he puts it, “the entire room is an instrument."'
Full article (Apr, 2017) - factmag.com/2017/04/17/christopher-willits-opens-3d-spatial-audio-venue-announces-horizon-album-ghostly/
'The music will surrounded listeners in any state, thanks to its three-dimensional mix that requires no special software or audio equipment to experience.'
Full article (Apr, 2017) - exclaim.ca/music/article/christopher_willits_returns_with_spatial_audio_horizon_lp
"ENVELOP has already built the audio hardware and software for what may become the most high-fidelity public listening space in world."
Full article (Apr, 2015) - techcrunch.com/2015/04/09/envelop/
"ENVELOP is a collective of passionate musicians, DJs, software engineers, entrepreneurs, and audio enthusiasts seeking to change the way we experience live sound."
Full article (Sep, 2015) - flypaper.soundfly.com/hustle/entrepreneurship-in-music-envelop/
"The concept leaps far beyond multi-channel, into a future-forward, fully immersive audiovisual system that is one-of-a-kind. Soon producers will be able to write and perform spherical sound, using open source ambisonics software that will revolutionize electronic music as we know it."
Full article (Jun, 2015) - www.musicis4lovers.com/envelop-the-last-days-of-stereo/